Worked example · Dance · Year 10

Motif development as an algorithm: Y Wennol

DCF: Data and computational thinking → Problem solving and modelling

What this is

A secure Year 10 response, annotated so you can see which success criterion each part meets. It is also the answer key. Step 2: 28 counts, 2 quarter turns, ending facing upstage. Step 3: 10 counts, 16 counts, 13 counts. Step 4: Cai’s score really lasts 34 counts and turns 450°, so the dancers overrun the music by 2 counts and finish facing stage right. The three bugs: retrograde written as 4, 3, 1, 2; the canon line counted as 3 when it lasts 5; five quarter turns instead of four or eight. Practises GCSE Dance Unit 1, content 1.1.2, and Unit 3, content 3.1.3. Practice only, not NEA work.

Step 2: trace a solo score

LineInstructionActions danced, in orderCountsQuarter turns
1PERFORM 1, 2, 3, 4, 5, 6, 71, 2, 3, 4, 5, 6, 781
2RETROGRADE [1, 2, 3, 4, 5, 6, 7]7, 6, 5, 4, 3, 2, 181
3REPEAT 2 TIMES [PERFORM 5, 6, 7]5, 6, 7, 5, 6, 7(2 + 1 + 1) × 2 = 80
4HALF SPEED [PERFORM 1, 2]1, 2, each over 2 counts2 + 2 = 40
Totals282 (180°)

(a) 28 counts is 3 eights and 4 counts. 4 more counts are needed to fill 32.

(b) 2 quarter turns = 180°, so the dancer finishes facing upstage, with their back to the audience.

(c) PERFORM 3, 3, 6, 7. That is 1 + 1 + 1 + 1 = 4 counts, making 32. It adds 2 quarter turns, making 4 in total = 360°, so the dancer finishes facing the audience, still, on action 7.

Every line is traced in order, with the working for the counts shown. The fix in (c) is checked against both conditions: the count and the facing. Evidences criteria 1 and 3.

Step 3: accumulation and repeats

(a) 1  |  1, 2  |  1, 2, 3  |  1, 2, 3, 4. That is 1 + 2 + 3 + 4 = 10 actions and 10 counts, because each of actions 1 to 4 lasts 1 count. Action 3 appears twice, so 2 quarter turns (180°).

(b) 1 + 2 + 3 + 4 + 5 = 15 actions. Action 5 appears once, in the last round, and lasts 2 counts, so 15 + 1 = 16 counts. That is exactly 2 eights, so the accumulation ends right on a phrase of the music.

(c) The pattern “5, 6” happens four times in a row.

REPEAT 4 TIMES [PERFORM 5, 6]
PERFORM 7

(2 + 1) × 4 + 1 = 13 counts. Two lines instead of five, and the number 4 tells a dancer at once how many swoops there are.

Part (b) spots the one action that breaks the pattern (action 5 lasts 2 counts). Part (c) finds the repeating pattern and uses iteration to make the score shorter and clearer. Evidences criteria 1 and 2.

Step 4: debug Cai’s duet

LineWhat really happens (actions)Real countsQuarter turns
1A and B: 1, 2, 3, 4, 5, 6, 781
2A and B: 4, 3, 1, 2 as Cai wrote it (retrograde should be 4, 3, 2, 1)41
3A: 5, 6 on counts 1 to 3, then holds. B: 5, 6 on counts 3 to 5.50
4A and B: 1, 2, 3, 4, 1, 2, 3, 4, 1, 2, 3, 4123
5A and B: 710
6A and B: hold40
Real totals345 (450°)
BugWhat is wrong, and what happens in performanceFix
1Line 2 is not a retrograde. The reverse of 1, 2, 3, 4 is 4, 3, 2, 1. Cai’s version puts the rise (1) before the arms open (2), so the audience would not recognise the motif played backwards.UNISON: RETROGRADE [1, 2, 3, 4], danced 4, 3, 2, 1.
2Line 3 lasts 5 counts, not 3: dancer B starts 2 counts late and needs 3 counts to finish. The score really lasts 34 counts, so the dancers are still moving for 2 counts after the music stops.Count the canon as 5 and shorten the final hold (see the full fix below).
3Action 3 is danced 5 times: once in line 1, once in line 2 and three times in line 4. 5 × 90° = 450°, which is 360° + 90°, so both dancers finish facing stage right, not the audience.Repeat line 4 only 2 times. That gives 4 quarter turns in total = 360°.

The fixed score:

LineInstructionCountsQuarter turns
1UNISON: PERFORM 1, 2, 3, 4, 5, 6, 781
2UNISON: RETROGRADE [1, 2, 3, 4] (4, 3, 2, 1)41
3CANON (B starts 2 counts after A) [PERFORM 5, 6]50
4UNISON: REPEAT 2 TIMES [PERFORM 1, 2, 3, 4]82
5UNISON: PERFORM 5, 6, 740
6UNISON: HOLD 330
Totals324 (360°)

Check: 8 + 4 + 5 + 8 + 4 + 3 = 32 counts. 4 quarter turns = 360°, facing the audience. Both dancers finish still, together, on count 8 of the fourth eight. Other fixes are fine too, as long as the counts add up to 32 and the number of quarter turns is 4 or 8.

The trace is done line by line before any fixing, which is how the hidden counting error in the canon is found. Each bug is explained by its effect on the performance, not just marked wrong. The fixed score is checked against every part of Cai’s intention. Evidences criteria 1, 3 and 5.

Step 5: my trio score

LineInstructionDeviceCountsQuarter turns
1UNISON: PERFORM 1, 2, 3, 4, 5, 6, 7Unison; the motif81
2CANON (B starts 1 count after A, C starts 2 counts after A) [PERFORM 5, 6, 7]Canon2 + 4 = 60
3UNISON: RETROGRADE [1, 2, 3, 4]Retrograde41
4UNISON: REPEAT 2 TIMES [PERFORM 3, 6]Repetition42
5UNISON: HALF SPEED [PERFORM 5, 6, 7] then HOLD 2Change of tempo8 + 2 = 100
Totals324 (360°)

What it is about: a flock of swallows gathering to leave Wales in autumn: they start together in unison, scatter in a canon like birds taking off one by one, turn and circle in the repeated turns, and slow down into one last, shared swoop at half speed before they settle.

Five devices, one of them a REPEAT. The canon line is counted correctly (C starts 2 counts late, so the line lasts 2 + 4 = 6), and the total of 32 counts and 360° has been checked. The idea links each device to a meaning, which is what Unit 3 asks pupils to explain about professional works. Evidences criteria 4 and 5.

If you finish early: answers

Why this response is secure