Cover teacher — you need no subject knowledge
Print: this sheet, one per pupil. One school tablet or camera between three is plenty; if there is no device at all, pupils complete Parts A to C on paper and rehearse the pitch to their group, which is the assessed part anyway.
Run: 4 min — read the brief and the timing rule · 12 min — Part A, write the script · 14 min — Part B, the storyboard, and check the durations add to 90 seconds before anyone films · 15 min — Part C, film it in the classroom in groups of three · 5 min — watch two back and use Part D to give feedback.
Safeguarding: films stay in the class folder on the school system. Nothing is uploaded anywhere, and nobody films anybody who does not want to be filmed — hands, the product and the drawings are enough. Do not ask pupils to use their own phones or accounts.
Collect: this sheet. The video file stays in the class folder, named with the group number and the date.
The brief
You have 90 seconds to persuade a panel to fund your packaging design for the school enterprise fair. A pitch is not a description: it names the problem, shows the thing, gives real numbers and admits the weakness before somebody else finds it.
The timing rule
A clear speaking pace is about 150 words a minute, which is 2.5 words a second. So:
- A 90-second pitch is about 225 words of script. Not 400.
- An 8-second shot carries about 20 words. A 15-second shot carries about 38.
- Your shot durations must add up to exactly 90 seconds, and your word count for each shot must fit the time you gave it. Part B makes you prove both.
Step by step
- 4 min — Read the brief and the timing rule. Decide the one sentence you most want the panel to remember.
- 12 min — Part A: write the script in full sentences and count the words.
- 14 min — Part B: break it into shots. Fill in framing, duration, dialogue and on-screen text, then total the durations.
- 15 min — Part C: film it. One take per shot, in order. Do not edit — there is no time.
- 5 min — Part D: watch another group's pitch back and give them the three pieces of feedback.
Part A — The script
Write what will actually be said. Include at least two real numbers from your design and one honest weakness.
| My total word count |
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| Word count ÷ 2.5 = how many seconds that will take |
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| Am I over or under 90 seconds, and what am I cutting? |
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Part B — The storyboard
| Shot |
What the camera sees (framing) |
Duration |
Dialogue |
On-screen text |
| 1 |
| | | |
| 2 |
| | | |
| 3 |
| | | |
| 4 |
| | | |
| 5 |
| | | |
| 6 |
| | | |
| 7 |
| | | |
| Total |
|
|
Total words |
|
Stop here. If your total is not exactly 90 seconds, change the durations now, before you film. Write what you changed:
Part C — Filming checklist
- Device in landscape, propped against something solid. No hand-held wobble.
- Light behind the camera, not behind the speaker — do not film against the window.
- Speaker within a metre of the microphone. Classroom noise ruins more pitches than bad pictures do.
- Product and drawings laid out and ready before you press record.
- One take per shot, in order, so no editing is needed.
- File saved in the class folder as group number, then date. Nothing uploaded anywhere.
Part D — Feedback on another group's pitch
| The number or fact I remembered afterwards |
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| The weakness they admitted, and whether admitting it helped |
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| One shot that needed to be longer or shorter, and why |
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Success criteria
- My shot durations add up to exactly 90 seconds, and each shot's word count fits its duration at 2.5 words a second.
- My script states the problem, shows the product and includes at least two real numbers from my own design.
- I admit one genuine weakness rather than waiting for the panel to find it.
- Each shot has a stated framing, so somebody else could film it without asking me what to point the camera at.
- The file is named and stored where the class teacher can find it, and nothing has been published outside school.
If you finish early
- Cut your pitch to 45 seconds. Which shot goes first, and what have you lost by dropping it?
- Write the two questions you would most fear from the panel, and a 20-word answer to each.
- Rewrite shot 1 three different ways: one that opens on a number, one that opens on the product, one that opens on the problem. Which would you actually film, and why?